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Cake day: June 9th, 2026

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  • Tapping into another response her but adding on: there are a lot of bits of werewolf media that make little jokes about ‘the time of the month’ for werewolves. It’s an easy little joke to make. (Angua from the Terry Pratchett novels) But the other elements of werewolf tales are far less feminine. #notallwomen and all, but there isn’t a very prominent portrayal across all of fiction of women’s anger as savage or brutal the way there is with masculine anger. The most common portrayal of an angry man is shouting and open violence. The most common portrayal of an angry woman is the silent seethe or the shrill read-to-filth, rarely with open violence. The only sector I can think of that portrays women’s cycles as turning them into something to be feared is boomerhumor comedy about how wives and girlfriends become scary and irrational every month. There are older ladies who might have internalised that enough to identify with it but targeting them with that portrayal would be at odds with the demographic that seems most interested in supernatural fiction which trends young.

















  • Part of it will be the ‘blank canvas’ look. When people want to sell a house, they are told to remove any trace of personality or uniqueness. It presents the idea of a ‘blank canvas’ onto which prospective buyers (if human) can project their imagination, saying ‘This grey is dull. I’d paint it blue.’ For some reason, painting walls, say, red tends to lead to them thinking the room is ‘finished’ with the red colour, so they think ‘I don’t want this house. It has red walls.’ You can paint both, but the unconscious brain is incredibly stupid.

    The other element is imitation of wealth. Wealthy people have ‘clean’ (can be read lifeless) space as a show of wealth. Many people, especially Western European and American people, have a bit of a Calvinist bent that leads them to imitate the wealthy. Knockoff luxury items is a big industry.