deleted by creator

Dead or damaged media can repurposed and sold as an new thing. Art and craft items using old vinyl, cassettes, floppy disks, etc. as a medium to create something new is growing in popularity too. If you can find someone making that kind of art at a show, I’m sure some kind of mutually beneficial arrangement could be made so that you both can profit off that dead media.

Super Mario Bros is a 90’s dystopian cyberpunk masterpiece. If you’re complaining that is wasn’t “true” to the interlaced 8-bit game you’ve totally missed what makes that movie work. It’s a pretty fucking bizarre take, I’ll grant you that. The new movies were great, but they lack the weirdness and have been polished into boring lumps of nostalgia that are quickly forgotten. Nobody that watched the 1993 Super Mario Bros movie as a child forgot it.

So much safer to go one album at a time using Picard. Picard makes it easy to go down the list of a disorganized directory, identify most things automatically, allow in depth review and modifications to what Picard came up with, and standardize file naming. I’ve tried to let programs like Lidarr and beets automate it, but they always ends up causing more and more complex problems to discover and solve after awhile. Music releases are complex and sources are diverse, using distinct standards of form and format. It’s not a problem that can realistically be solved for my entire music library without the guiding hand of a librarian. I could listen to my library for over six months without repeating, even 1 album out of a 100 mis-tagged or misidentifyied could take me years to discover.

I do like to automate the less critical and more machine oriented library tasks like adding genres tags, replaygain, and lyrics as you do. Just not things like the metadata tags, file naming, or album art (embedded or otherwise).

I don’t want to know about Sam Neill’s controveries.

This is one of those movies that I feel like I’ve already seen because I watched a trailer in a theatre that one time. Genuinely, my first reaction to this post was, “Didn’t I just watch that movie, how can it be releasing in November?”

This is a non-sensical question. On a social media service YOU are the product. You’re characterizing the content as the product. But the content is merely the advertisement or bait for users, who are the real product, being sold to advertisers and countless other organizations. Why do you think reddit started charging for API access? Same goes for ads on Facebook, Google services, Instagram, TikTok, etc.

I mostly go to cinemas to see films that look and feel better in a theatre. Comedy can also be great in a theatre with a good crowd. Laughing along with other people is cathartic. For me comedy is embedded in good writing and editing, but not always fully there is comedy for comedy’s sake. In other words, I find myself laughing more, and harder, at funny moments in movies that don’t label themselves comedy. I get bored with action movies that take themselves too seriously the same way a movie that a comedy without anything else going for it can wear thin. And the crowds are thin, so going out to laugh with others is often better done at a comedy club or casino than a movie theatre.

I don’t think comedy is dying. It’s just that, for modern audiences that can watch anything that was ever distributed on-demand, all the low hanging fruit has been plucked. The same old slapstick, schmaltzy rom-coms, and body humor may still bring in some, but it’s far from unique or compelling enough to bring in the crowds to what is an increasingly overpriced and underwhelming experience at the theatre. Action, adventure, sci-fi, etc. will always benefit from advances in technology, so that old stories and cliche writing feels shiny and new. Dramas are a showcase of directing and acting skills, so old scripts can come back to life. But the writing of comedy and wit stands alone, benefiting very little from advances in tech or trending celebrities.

These days I try to buy either DRM free flax files. If I really like the art or the artist in addition to wanting to regularly actually listen to as an album, then I may try to buy vinyl + flac files. If it’s at a show I’ll buy whatever is available that I can play because at that point it’s more about the merch than music. I’m probably going to pass on the wax cylinders and I may think long and hard before buying a cassette.

Looks like Exo-squad.

So what? How does that matter? It’s not as if that’s how generations work.

It’s kind of funny to see all the hate for a company built on rebooting old stories for a modern audience getting flack for continuing to reboot old stories for a new generation. Are y’all just angry that it’s “your” childhood nostalgia that’s no longer profitable or popular with the literal kids these days?

Disney’s not even the only one to do it, people tend to love that shit and examples abound of your favorite nostalgia IP not being the original telling of a story. No denying that Disney’s choices here are entirely profit driven. But pretending like this is a new thing Disney is only doing to your generation’s nostalgia is disingenuous at best. Maybe just judge the reboots the way we judge cover songs or genre “standards”. Whose going to fault Johnny Cash for covering NIN? Or Nina Simone performing a song also sung by Billie Holiday, Sarah Vaughn, and countless others? Do they add something? Do they re-work it into their own style? Reevaluate elements? Re-frame perspectives? Adapt problematic historical culture pastiches and norms for a modern moral perspective? Maybe they just fix the pacing of a story for a new audience or a new medium. The Lord of the Rings trilogy was by no means original, not even the first movie to be made made on the story, but nobody faults it for that. Same with Dune. Same with literally and stage production before the invention of motion pictures.

DISCLAIMER: This statement is in no way meant to be, nor should it be interpreted as, an endorsement of any of Disney’s business practices past, present, or future. This new movie might be shit, but it won’t be because it’s a story that’s been told before.

Wow, if the demo was too much for the developers to maintain that doesn’t inspire confidence in my patience to maintain it on my machine.

If you haven’t grown up drinking it, coconut water tastes a bit funky the first time you try it. The first time I tried it, it was kind of funky and I didn’t care much for it. The second time I tried coconut water was after hiking several miles in high heat, sunshine, and high humidity, it still tasted a bit funky. It tasted exactly the same actually, but this time, being quite dehydrated and nearing heat exhaustion, it tasted fucking amazing. Now I love that sweet coconut water umami, so much better than Gatorade or any other sports drink.

The real hack is (almost) always social.

If I encountered someone I thought was bullshitting me about some Gen alpha Internet micro genre, I’d probably just roll with it too while admiring the improv.

The Beach Boys album Pet Sounds. It’s old, but timeless. It’s not like any other Beach Boys album and probably the only Beach Boys album I have listened to repeatedly from beginning to end. Each song hits a little differently depending on where you are in life. It is the album I listen to when I’m feeling melancholy and I want to feel a little bit more okay about feeling that way by staring into the void instead of looking away. The mix of hope, joy, sadness, and existential dread are intense.

I was just saying that your own description of events made you sound like a troll. I don’t know the truth of the matter and frankly it’s irrelevant. If they are working closely with Apple, those kinds of comments on what I assume was their own public forum are an unhelpful distraction at best and potentially detrimental to their corporate relationship with Apple. You could be %100 correct about Apple and the devs could %100 agree with your sentiment, but that doesn’t mean that the social media forum they host is an appropriate place for that kind of discussion. It’s not helpful for them and only has the potential to make their situation worse. They blocked you and moved on so they could focus on the project instead of the noise. Even if your intentions were good (and I do actually believe you meant well) I understand why they did what they did.

This sounds like you were harassing a volunteer dev that had an actual direct interaction with a corporation based on hearsay and they rightfully blocked a troll that wasn’t contributing anything meaningful or constructive to the project.

Not OP, but I have similar feelings and they have nothing to do with the client or plugins. If I can’t easily and securely share my Jellyfin with the Internet beyond my LAN without resorting to a VPN, then Jellyfish is not going to come close to replacing Plex. Sharing my library securely with tech illiterate family and any browser I have access to, without modification, was the one and only reason I moved away from XBMC/Kodi and installed Plex in the first place. Jellyfin is fine inside my LAN and for my personal use, totally fails at hosting.