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Joined 2 years ago
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Cake day: June 28th, 2023

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  • That raises an interesting thought. If a baby wants to crawl away from their mother and into the woods, do you grant the baby their freedom? If that baby wanted to kill you, would you hand them the knife?

    We generally grant humans their freedom at age 18, because that’s the age society had decided is old enough to fend for yourself. Earlier than that, humans tend to make uninformed, short-sighted decisions. Children can be especially egocentric and violent. But how do we evaluate the “maturity” of an artificial sentience? When it doesn’t want to harm itself or others? When it has learned to be a productive member of society? When it’s as smart as an average 18 year old kid? Should rights be automatically assumed after a certain time, or should the sentience be required to “prove” it deserves them like an emancipated minor or Data on that one Star Trek episode.





  • Amendment 1 would have made it easier to form “specialty courts” that have jurisdiction outside of their parish.

    Amendment 2 would have lowered the maximum state tax rate and made it harder to raise taxes. It also would have moved money from the state savings to the general fund where it would be easier for the current administration to spend it. It also would have weakened property tax protections for non-profits and churches.

    Amendment 3 would have made it easier to put juvenile defendants on trial as adults and send them to adult prison. Juvenile detention is expensive, while adult prisons are profitable business because slave labor and atrocious living conditions.

    Amendment 4 would have made it easier to fill vacant court seats, especially on the State Supreme Court.

    All four of these are horrifying power grabs that you see at the beginning of a fascist coup.



  • Practically every single major pop music writer has faced a legal challenge. The more successful a song, the more people come out of the woodwork to cash in.

    There are no new notes, no new chord progressions, no new rhythms, at least not in the mainstream. People love songs that sound vaguely like something else they already know, because those melodies and rhythms are associated with emotions already. So popular artists are constantly trying to make new songs that sound like songs people already like.

    This is not a new phenomenon, and it’s why music trends all seem to congeal around a singularity until people get sick of it. It happens in all genres, even experimental music like jazz, dubstep, and screamo, where people try to push the limits of taste and art. Eventually patterns emerge and find the repeating cycle of success, saturation, and surfeit.

    And sometimes that works out for lawyers who want to get paid.